Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Samuel Lovett Waldo 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
71700 David Leavitt Samuel Lovett Waldo David Leavitt between 1820(1820) and 1825(1825) Oil on panel 83.9 x 65 cm (33.03 x 25.59 in)
71844 Maria Clarissa Leavitt Samuel Lovett Waldo Maria Clarissa Leavitt between 1820(1820) and 1825(1825) Oil on panel 84.3 x 64.8 cm (33.19 x 25.51 in)
73117 Maria Clarissa Leavitt Samuel Lovett Waldo Maria Clarissa Leavitt Date between 1820(1820) and 1825(1825) Medium Oil on panel Dimensions 84.3 X 64.8 cm (33.19 X 25.51 in) cyf
72061 Mrs James K Bogert Jr Samuel Lovett Waldo Mrs James K Bogert Jr Date ca. 1819(1819) Medium Oil on canvas Dimensions 83.3 X 65.5 cm (32.8 X 25.79 in) cyf
70986 Mrs. James K. Bogert, Jr. Samuel Lovett Waldo Mrs. James K. Bogert, Jr. ca. 1819(1819) Oil on canvas 83.3 x 65.5 cm (32.8 x 25.79 in)
51333 Old Pat Samuel Lovett Waldo Old Pat mk218 1819 Line engraving 18x12.5cm
60117 Prague Samuel Lovett Waldo Prague mk270 in the 18th and 19th centuries prague was one of the main musical capitals of europe. this scene of the old square is as it was in the days when mozart walked its streets, and would have been familiar to czechoslovakia s two great national composers dvorak and smetana.

Samuel Lovett Waldo
American Painter, 1783-1861 American painter. After attending a country school and working on his father farm, he decided at the age of 16 to become an artist. He took lessons from Joseph Steward (1753-1822), a retired minister who operated a portrait studio in Hartford, CT. Waldo opened his own studio in Hartford in 1803, before moving on to paint portraits in Litchfield, CT, and Charleston, SC. In 1806, bearing letters of introduction to Benjamin West and John Singleton Copley, Waldo travelled to London, where he studied at the Royal Academy. His portrait of Mr M Dougle (untraced) was shown at the Royal Academy in 1808.
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